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Collective Voice

Posted By: Maud Lyon, 6/8/2007

Competition for leisure time is intense.  The arts compete with for-profit entertainment, and even more with recreation.  When the kids have an intense schedule of organized sports, how can parents fit in culture? People are working longer hours, and with new technology, there are many opportunities to hear music, read, pursue hobbies and interests with like-minded souls on the internet, and otherwise “timeshift” leisure to the hours available – rather than adjust your schedule to the concert hall or museum.

Audience tastes have shifted, too.  People want more active participation, and a more social context.  If the arts are cool, people come.  If they are perceived as stuffy, intimidating, or too formal, they opt out. 

The result of these factors, in many cultural institutions, is a loss of attendance and audience.  The Collective Voice initiative of the Cultural Alliance is a program to counter this trend.  We are studying recent audience participation and community research, both in our region and nationally, to help our member organizations understand what drives audience decisions.  In fall 2007 we will hold a series of seminars to explore these issues and propose creative new approaches.  In preparation for those seminars, we are gathering data about how we market the arts:  how we promote, how much we spend, and where we put those dollars.  We are also gathering information about the exhibitions, premieres, and other cultural programs that are planned for the next several years.  

In the seminars, we will compare our current practices to the research.  Are we producing the kinds of experiences audiences want?  Are we promoting those programs in the right way, for the audiences we are trying to reach?  The answers to those questions will challenge individual arts organizations to change the way they plan and promote their programs, and give them tools to make their own improvements.  Our goal is to focus on the needs of the community – to listen to our customers.

The Cultural Alliance will also use this information to identify opportunities for collaboration – creating programming focus plans called Cultural Destinations.  A Cultural Destination might be a group of arts organizations in a particular geographic area, or arts programs that interpret a single theme, or which occur in a particular season.  We will organize a collaboration to plan and promote each Cultural Destination, applying the research, and working together to maximize reach and impact.

The Collective Voice initiative will help arts organizations, large and small, to tune their programming to serve our region better – to work together to reach people and do what we do best, uplift every day life to something extraordinary.  The high-tech world is often low-touch:  the arts offer experiences that are authentic, engaging, social, thought-provoking, and real.  Something you just can’t get any other way.
Comments:
Thursday, July 12, 2007 6:56 PM by Richard Thibodeau / Detroit
As a Detroit Metro person who has been both "on the scene" and most often "behind the scenes" on the Cultural Arts scene in Detroit Metro, I wanted to share my comments on Maud Lyon's super perspective on the the Detroit Metro "arts and culture" scene.

-I think we have to be much more entrepreneuiral and better "packagers" of arts products- being a lot more aggressive, creative in building in transportation to get a broader range of audiences to show up to enjoy all that we have to offfer. The idea of "shared audiences" has to get more attention. It seems that we have too many instances of students and other groups coming into Detroit for just a rather brief visit to just one cultural venue.

-Cultural arts can also be the scene for creating more jobs, esp. in Detroit. For example, there's got to be a "goodwill tour ambassador" program that trains and pays a cadre of Detroit youth to serve as tour guides/jr docents, so that every tour bus that enters Detroit can have a young Ambassador to help showcase what Detroit has to offer. And for the students who come in, many many more of these groups should have the chance to (usually for the first time ever) go to the top of the Ren Cen to experience that gutsy view of Canada and Detroit and its suburbs. The students that I've done this with can't believe that that's Canada spread out before them!

-The music scene especially should be a place where many more kids can earn some dollars/put together some gigs; not as a future career, but so that Detroit can have many more local groups who can sing those super MOTOWN SONGS to a broader range of audiences and earn some money while doing it. At present, on a weekly, daily basis, there are virtually no places in Detroit where a tour group or individuals can go to hear the MOTOWN SOUND. GOSPEL MUSIC should also get much more attention as a great attraction that could help bring in many more visitors to the City from places like Atlanta and New York.

-Any plans to pool talent, leadership and guts to better fund arts and culture has to have a real grasp of the fairness about it all. In a past attempt at getting a tax/millage to pass, some of us felt that the smaller, struggling arts institutions were not going to be given a fair shake. I recall for example that the campaign was sold with a "youth and the arts" theme, but when you looked at who would get a big bulk of the funds, a lot of it would have gone to Cranbrook House and Gardens. I think this is a super place but it really doesn't have a lot to offer youth, not like other groups like the Pontiac North Oakland Creative Arts Center or the arts programs connected to
the Mosaic Youth Theatre.

-As I'm sure other persons also have, I have a few what I think are gutsy, creative ways to generate some dollars for the arts and would be happy to share in the future.
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